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The Truth About Handicrafts

The road to success in the world of handicraft business in Bali is seldom a straight one. There are financial issues, problems with raw materials, greedy middlemen and many other bumps on the road to overcome. Few people know this better than souvenir producer, Ibu Sunati. Three years ago, Sunati was under the impression that she was a step closer to having a successful business- she received a large order from an Australian buyer for a shipment of basket-woven tissue box holders. Once the products were made, Sunati was given a cheque for 25 million rupiahs (approximately US$2,600) from a local cargo company who acted as an intermediary for the buyer. The cheque turned out to be fraudulent but Sunati could not afford to take legal action. Unfortunately, what happened to Sunati is quite common in the craft business but small producers, like her, continue to take the chance. Sunati did not let the incident bring her down and so she started from scratch again and continued to work. Tragically, she suffered another shock when the local market in which her retail shop was located was burned to the ground in May this year. With no insurance, she lost everything and became heavily in debt.

Local non-profit-organisation, the Wahana Kria Putri Foundation (WKP) and its micro business development program offered Sunati loan provisions to help get her business back on track. The Foundation was founded by two indigenous women in Denpasar, Bali in 1996, in response to widespread poverty in Bali. Its primary program is developing small businesses through a system of women’s group lending methodologies and individual loans. Specifically, WKP aims to reach low-income widows and women with families in rural areas, as well as poorly educated unemployed women and street vendors in the urban areas. The Foundation’s approach to poverty alleviation ensures that the poor is given the opportunity to establish a sustainable source of income and be able to take care of themselves, their family and the local community.

Recently, the Foundation established a Business Development Services program that aims to help these small businesses expand. Australian Youth Ambassador for Development volunteer, Amy Wan, is working as a project officer in handicraft development and marketing. The strategy is to create a brand, refine the products to western standards and approach Australian retailers who may be interested in importing the goods for sale. And so, the trading label Bali Artisans was born. Drawing on her experience as a designer, Amy began to put together its first product catalogue- handcrafted silver jewellery, created by Made Sudani, a partner producer who lives a rural village in Gianyar. The jewellery business is particularly tricky in Bali as there is already a huge amount of large manufacturers. Competition is extremely fierce and many home-based silversmiths, like Made, struggle to make a sale. During times when she does not have any purchase orders, Made and her husband- also a silversmith- must do contract work at the factories to put food on the table. With a three-month-old daughter under the care of the grandmother, Made hopes that her business will improve so that she can work from home and spend more time with her daughter.
One of the most common problem that handicraft producers face is being paid short of their worth. On her first trip to Bangli, an agricultural town about an hour from Denpasar, Amy met Komang - a young basket weaver who claimed that her middleman pays her18,700 rupiahs (approximately AUD$2.50) for a full day’s worth of weaving boxes. She is required to weave twelve a day. Knowing that each of her boxes are retailing at $6 each in popular tourists shops, she refuses to argue with her middleman in fear of losing the business. The problem is mostly caused by a lack of education and limited access to the consumer market. However, the Business Development Services program is offering free training in business management and product pricing, as well as fair trading.

Fair Trade is an agreement between producers and buyers to trade products at a fair price. Producers are usually paid above the minimum wage and work in a safe and clean environment. Bali Artisans is a strong supporter of fair trade and strictly adheres to the policies as set out by the International Federation of Alternative Trade (IFAT). Partner producers are given 70% of the turnover from product sales whilst 30% goes to Bali Artisans to cover the cost of overheads and project funding. At the moment, Amy and her counterpart are establishing a potential client list in Indonesia, Australia and New Zealand. Next May (2008), Amy hopes to return to Australia to participate in Fair Trade Fortnight, an event organised by the Fair Trade Association of Australia and New Zealand, and set up a stall to promote Bali Artisans’ products to the western audience.

“Fair trade works because it gives the “back-room” producer a chance to finally earn what they deserve. All of the craftspeople I’ve met here are in a state of desperation but they know that help is on the way. It moved me to see the smile on Made’s face when I showed her the catalogue I did for her”, said Amy. Made’s jewellery is beginning to attract some interest from Australia and Hong Kong. When asked about what she would like to do with the money earned from sales, Made Sudani plans to reinvest in her business and create more experimental pieces. “I like the fact that I am relying on my own abilities to get the business going and give my daughter a secured future. Bali Artisans has given me the respect and support I needed to keep myself motivated”.

For more information about Bali Artisans (Wahan Kria Putri Foundation), readers can contact Amy Wan, Product Development & Marketing Officer, at Jalan Tukad Saba 10A, Panjer Denpasar. Telephone 236376, Fax 228291 or mobile phone 0813 37804843. Amy’s email is wanamy@hotmail.com and the foundation’s website is www.baliartisans.net

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