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A Million Miles From Here - Tales from the Cultural Frontier. Part II - The Plane...

I’m on the way to London, to ‘sort my life’ out, sell my flat, and complete everything in the UK, so I can hopefully return to Bali free and clear. Sitting on the plane, reflecting…

Waiting in the departure lounge, en-route to London, the little Balinese dancing girl doll in traditional stance, held by the child in the seat next to me reminds me of ‘jet gedé’ - a comment made about my niece’s rather prominent bottom by a Balinese waitress in a café we were visiting in Ubud.

‘ Jet gedé!’ the waitress exclaimed loudly (meaning ‘big bottom!) I was sniffily rather offended on behalf of my beautiful niece, until it was explained that having a ‘jet gedé ‘ is no bad thing, not a criticism at all – in fact, something rather to be coveted, a prominent derrière being such a feature of the Balinese dance (legs deeply bent, rump shoved out to one side) as to be positively a desirable and attractive feature. ‘In any case,’ my husband Putu explained (slowly, as if to a half-witted child) ‘…even if a big bum were a bad thing, they’d still only be commenting on it, kind of just noting that it existed, rather than necessarily actually criticising it!’

Oh! I do so love the (usually) non-judgemental nature of the gentle and refined Balinese!

I have just made it through Duty Free – a pre-packaged temple to consumerism, smoke and mirrors, and ‘stuff out of nothing’. Lotions and scented potions, perfumes – I know they cost pennies to make - fabbed up with glass, coloured water dye, cellophane, pretty boxes, celeb write-ups and endorsements – hey, there’s even ‘CD I LOVE DIOR!’ which seems to be a double pack of Eau De T. (at US$ 68). Then Ralph Lauren’s got VALUE SETS at (US$37 – 59) ‘Value for whom?’ I wonder. Him, I suppose.

I can’t help liking the silvery, butterfly shaped ‘Anna Sui’ stand – coral orange pink dumpy cellophaned boxes, butterfly bottles, silver stoppers. Silly, but nice (only US$50 a cube).

On my Bali dressing table these pretty perfumes would quickly go pale and uninteresting in the sun – in Bali, nothing lasts – life here is the antithesis of ‘storing things away for the Winter’ – no pickling, no potted meats, no dried sausages, fruits, jams or preserves! Well, there’s no Winter! It has a profound effect on the mindset of the people. Hoarding is out! ‘Now’ is in! Hooray! – forget about tomorrow – there’ll be another rich harvest of rice along on this incredibly fertile volcanic silt enlivened land in a minute! (There are three crops a year of the ‘modern’ rice’ – though it’s not nearly as tasty or nutritious as the slower growing original taller single cropping ‘red’ rice of Bali, which you can still find, if you look hard enough).

Sitting waiting, reflecting on the culture I have immersed myself in and am about to leave behind for a bit as I go to London to ‘sort my life out’, sell my flat, get everything clear and settled.

Smiling handsome young Balinese guy, shoulder length hair, arrives happily with Japanese wife and young child in tow and I miss my husband Putu and daughter Cahya.

Another major difference in Bali is that no industrial revolution ever happened here, so, whereas in England, we always naturally look for ‘ways of making lots of the same thing at the same time’ – for example, cutting paper, we might make a stack and then attempt a multiple cut (usually wonky of course!) on the guillotine. In Bali, Putu’s Mum would never pull a stunt like that. She’ll just sit quietly and patiently, and cut a hundred individual squares out of, say, the left over pages from our wedding programmes, slowly, perfectly, singly, one at a time.

This way of slowly and methodically doing things, yet, doing them thoroughly and well, is typical of the Balinese. They don’t go for short cuts. And usually, they manage to enjoy what they are doing, sitting chatting with friends, drinking coffee, at the same time. There’s no rush.

Another ‘small yet strange’ difference that I’ve noticed concerns cutting a lemon or lime. In Europe, we always cut straight through the centre of a lemon, don’t we? Crossways or longways, it doesn’t matter, we always cut them through the centre. Here though, they kind of cut a slice off the side of the lemon. I can’t tell you how weird this seemed the first time I saw it! Paralime shift! Actually, it makes a very good flattish hemisphere for squeezing juice easily without getting annoying stingy juice in fingers or eyes. What I’m alluding to here though is – how strange, that we always do something a certain way – it’s normal – yet we’re not even conscious of it.

We are working to a ‘rule of lemon’ that we don’t even know about! How many of these ‘we do it this way here’ habits are there, that we’re not even aware of, I wonder? How about cutting a diagonal slice through the lemon, then? Are we culturally boxed, acting out of a square mode of ‘normal’, limited thinking, without even realising it?

‘ Cubing’ is out in Bali, too, along with ‘holding the curved point of the knife and quietly rocking the heel as you cut’ à la French chefs. No, here chopping (something of a national sport with the ground and spiced meats and vegetables that comprise traditional Balinese food) is a ‘free for all’ – on your thick slab of tree trunk – just hunker down and go for it, willy nilly ‘– Tak, tak tak tak TAK!’ randomly hacking with the largest, heaviest Chinese style chopper, or big hunting style knife that you can find!

The sound is enough to raise you early in the morning (it’s enough to raise the dead!) and everything gets chopped – chicken meat, bones, gristle, even the feet! (I watched Putu gaily chucking in a bit of extra gristle the other day, to ‘add flavour’, he said). A far cry from the European style genteel, uniformly diced ‘macedonia of vegetables’ or whatever. Though, the community that occurs as the men sit around good-naturedly chopping and chatting, is very nice. (My friend Lucy is thinking about sound-proofing her bedroom against the morning chopping sounds from the Balinese kitchen next door, it’s so loud!)
Finally made it onto the plane, and now we’re flying high over the South China Sea, en route to Kuala Lumpur and London. The young guy I saw earlier with his family turns out to be Javanese, from Yogjakarta, not Balinese. Sitting next to me, he is trying to control vomiting two year old child with Japanese wife. They skulk to alternate seating, leaving redolent cheesy vomit patch behind for me to enjoy on my journey. Reminding me again of Cahyas various stunts, and my own oft-slunked guilt at them, and I can only laugh (and peg my nose…)

Reminds me of a poem I wrote once, which goes (or, went, of which more in a minute) “and lo, the first vomitary skid mark doth herald the beginning of the festive season in Covent Garden”. It doesn’t have a title. It does, however, sum up Christmas around the now slightly chi-chi former vegetable market cum boutique shopping gallery in London – hordes of drunk sicked-up laddish louts hoiking their spewed offerings of Christmas dinner and too much beer onto every street corner round December. Eugh! Something I don’t like about London and the West is the normalcy of drinking to excess. So uncomfortable, yet not realising it, we stun ourselves with alcohol, like demented self-stinging cuttlefish. I did it to myself for years – must have been mad.

The lights of Bali snake beneath me and I really really don’t want to leave.

Last time I returned from my previous ‘project clear up’ in London, I lost all my poems. About two hundred of them, my lifes work in wurdz – gorn! I gave them to a friend to post, which she diligently did – but they never made it to Ubud (if anyone sees five or six long skinny spiral bound books languishing in some dusty corner of Ubud Post Office, please let me
Balinese dancers’, photo by Jeli Lala © 2002.

know! This was how I found the last thing I lost there – a friend just spotted it in the ‘we don’t know what to do with this one’ pile – it wouldn’t fit into the PO box!)

Anyway, they’re all lost. All I’ve got is the ‘vomitary’ one that I happened to just remember (mustn’t grumble!) and a few other more recent ones on my computer.

Strangely, my computer did a similar ‘wipe out’ on me when I was on the plane coming back from England last time. Turning on my computer to show a new friend the two hundred or so paintings I’d just painstakingly captured onto digital camera and catalogued, I got…nothing! Didn’t come on at all. Zippo. Never happened before or since. Oh well – I thought – wasn’t meant to be then after all, eh? Didn’t panic - didn’t seem much point.

Anyway. Turned it on once I got home and it was fine, no problem at all, art library intacto. Stronge (as they say at the French bank I used to work at, in their French accents). Stronge indeed. I feel I’m caught in a ‘warp in the space time continuum’ in between London and Bali. I sell my (silvery, expensive, yet unneeded) car in London and we buy a wazzy red yet low-cost vintage sportster in Bali. It seemed like a good idea – at least, to solve the ‘money down the drain from rent car’ scenario in Bali. Alas, it’s been in the garage ever since, head-scratching mechanic poring over its endlessly mysterious workings. (Leaving me poring endlessly over mine – knowing that the external world is but a reflection of the inner world – what the hell is going on??) ‘Get it back and put a new engine in’ throws my Balinese landlord. Will do, will do, when I can finish the umpteen other things I’m trying to sort out between ‘here’ and ‘there’…

I had a dream not long ago, narrated by that enviably impressive Australian lady in Ubud who has about four successful businesses, the same number of beautiful children, enviable marriage, wonderful home… She popped up in my dream and was narrating my life. ‘Bali is a story told the wrong way round’ she intoned. ‘The happy ending is at the beginning and then it just keeps getting worse’. Oh goody. Just what I needed to hear. I’ve either got to stop dreaming and ‘get real’ or I’m out of here. Maybe I can’t do it. Maybe my Bali Dream is really a Bali Nightmare. Maybe I can’t sell my house…
I CAN I CAN I CAN I CAN!!! Look, Jeli. You CAN DO IT. All you need to do is really focus. Stop scribbling this story and focus on selling your house!

Ok ok ok ok. Here’s the plan:

1. Visit estate agent
0.1. Get trousers (have brought only one dirty sarong for reasons unknown even to my self).
2. Call Putu
3. Visit more estate agents
4. Get local papers about selling property
5. Find cheaper place to stay

Sounds a lot. Maybe I can sneak ‘cake and cappucino’ in there somewhere. Inner Voices) No!! Get ON with it! Oh, ok, ok. Inner Voices) you’ll be happy when it’s done, you know! Oh yes. Ecstatic!! Then I could add: 8. Call bank to find out interest rate for wodge of money.

Seven hundred kilometres per hour, speeding away from Putu, Cahya and Bali now, I feel very empty.

Having just whinged about drinking, what looks like an interesting bottle of red and one of Chardonnay chinker past on a squeaking trolley. Oh yes! Wouldn’t mind some of that! (Oblivion is attractive at times, isn’t it?)

The glossy Air Malaysia magazine has a picture of a lime green leaf hopper with serrated legs, captioned ‘the leaf insect blends in well with its surroundings’ reminding me of my friend Jil from Bali (who like me, is presently grappling with ‘UK vs. Bali’ stuff). Do we ‘blend in well with our surroundings’?

When I first came to Bali and met Jil, we had a surreal conversation about a leaf-like insect we spotted on her ceiling. Was it an insect pretending to be a leaf, or a leaf pretending to be an insect? It is so silly that we still laugh and play with this idea each time we see each other.

Climbing up her rain-washed valley, directed by Symon the artist (hammock slung, rotund, beady eyed behind round glasses, schoolboy-esque). ‘Oooooh, you’re at the wrong paaa-rrrty!’ he announced gleefully. ‘You need to go over theeeee-rrreee!’ Quite rightly directing me to Jil’s lunch gathering of artists, poets, theatricians, whatever. So I climbed up the valley from Symon’s vast glass emporium and studio, following his careful directions to Jil’s fairytale house (Gaudiesque tower, thatched roof, glistening pool…) They made me very welcome as I clambered over their child-proofed pool perimeter, and that’s how my Bali story kind of got started.

One of the things I love about Bali is the other Ex-pats here. They tend to be eccentric geniuses – incredibly talented yet simultaneously fatally flawed (I include myself in this of course!) Reminds me though of my friend John’s words ‘the most vulnerable part of myself seems to be connected with the very strongest part of myself.’ Don’t we need the contrasts somehow, if we’re going to be strong in any particular area? Can’t be all light, can we? Got to have the dark, to show the light.

And so it is that one friend has a remarkable ‘show girl’ glamourous belly dancing side, to such a degree that she’ll even consider dancing at ‘Pat Phong’ clubs in Bangkok of all places (I think I talked her out of it), coupled with the remarkable contrast of ‘The Hills Are Alive With The Sound of Music’, or ‘The Nun’ – presently she’s on a thousand hour yoga training retreat. Bringing us back to… (not ‘doh’ but…) is she a leaf pretending to be an insect, or an insect pretending to be a leaf?

I suppose the answer is both – Nun and Whore. Each have their advantages and disadvantages, and perhaps the game is to explore each of them and find a way of integrating them safely into a cohesive whole (tap-dancing nun, mantra reciting showgirl?)

I feel like the ‘Man Who Fell To Earth’ (David Bowie movie, c1980?) Spaceman suffering distant memory of spindly family struggling on distant, too dry, planet, unable to do anything about it. I miss Cahya, I miss Putu, and I’m only three hours into my flight.

NEXT ISSUE: A Million Miles From Here. Tales from the Cultural Frontier. – Part III - Kylie

Jeli Lala created the ‘Ashram of Spiritual Jewellery and Art’ at no. 1, Sukma St., Tebesaya, Ubud, with her husband, Putu S. She has studied yoga and many other spiritual practices for more than ten years. She writes “As a life-long artist, I’ve been exploring my inner world since I was a child. In this column, I will share some of my personal experiences and spiritual methods – hopefully, you’ll find this interesting, and maybe it will give some ideas for your own journey”.

Jeli welcomes comments and may be contacted on:
Email:  jelila@jelila.com
Website: www.jelila.com or www.imagine-retreats.com

© Jeli Lala /Angela Torrington 2002, All rights reserved.